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Pete Malkin

Sound Designer


Nick Quinn

Pete is a Sound Designer for Theatre and Studied at the Royal Central School of Speech and Drama. His recent Sound Design credits include:

The Kid Stays in the Picture (Royal Court)

The Tempest (Donmar Warehouse/King’s Cross Theatre)

Ungeduld des Herzens / Beware of Pity (Schaubühne/Complicité)

The Seagull (Lyric Hammersmith)

Frogman (Curious Directive)

Twelfth Night (Royal Exchange Manchester)

The Last Testament of Lillian Billoca (The Guildhall, Hull Truck)

Treasure (Finborough Theatre)

Unearthed (Arcola Theatre/UK Tour)

7 – 75 (The Place Theatre)

Am I Dead Yet (Unlimited Theatre/Bush Theatre)

War Correspondents(Greenwich Festival/UK Tour)

The Commission (ROH/Aldeburgh/Opera North)

SUN (St Leonard’s Church/National Art Service)

Farragut North (Southwark Playhouse)

Space Junk (Gameshow/Lyric Hammersmith Studio)

The Noise (Northern Stage/Unlimited) – Co-Sound designer

Sound Design with Gareth Fry: The Encounter (Complicité).
Special Tony, Drama Desk, Helpmann and Evening Standard award for Sound Design

As Associate Sound Designer:

Harry Potter and the Cursed Child (West end / Broadway)
Olivier award for Sound Design / Best new play

1984 (West End / Broadway)

Oresteia (West End)

Hamlet (RSC)

The Hudsucker Proxy (Nuffield/Liverpool Everyman & Playhouse)

Lionboy, The Magic Flute, The Master and Margarita (Complicité).

Film/Video Sound work includes:

The Rochdale Pioneers (Film 4);

Sound Design with Gareth Fry: UN Global Goals Launch, Sydney Opera House Light the Sails (59 productions);

Sound Editor: Hampton Court Palace 500 years (59 productions)

Dusk (Young Vic)

Call Nick to discuss Pete or other Sound Designers

+44 (0)20 7727 1346